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Olivier Assayas’s polyglot satyre is that rare film that can have its cake and eat it too. It skewers French cinema, whilst acting as a subversive love letter to an often surreal industry, and it makes us revel in the frailties of its odd characters, especially the incomparable Maggie Cheung, who can convey entire worlds of meaning with just a raised eyebrow. Magical stuff.
It’s a kaiju Summer for us at Grey Wolf, and having worked our way through the Criterion Collection’s beautiful edition of the first 15 Godzilla films, we had to pick a favorite. Yes, the original remains unmatched, but when it comes to sheer fun, inventiveness, and sheer bonkers experimentation, it doesn’t get any better than this duel between Big G and sludge-oozing smog-monster Hedorah. Part kaiju romp, part 70s acid fever dream with visuals that forever sear themselves into your brain, this is 100% awesome.
You’ve heard of Godzilla. Who hasn’t? Allow us to introduce you to his distant cousin, heroic kaiju Gamera, a turtle-shaped colossus with boosters up his backside. Like his better known countryman, Gamera has enjoyed many cinematic outings, but this is his finest hour. The care put into this recalls the kaiju classics of yesteryear, but the updated effects and careful execution give it that much more impact. A lot of fun!
Hidden behind the bargain bin 80s action film actioneer marketing (Christopher Walken waving a massive Manville XM18 launcher) lies one of the best ever studies of the mercenary trade, and the cold cruelty with which the great powers toy with weak nations. After a nightmarish first half where Walken reckons an all-too-realistic dictatorship in Central Africa, he meticulously puts a team and plan together for a client-mandated assault. For the most part, this plays out like one of the great 70s procedurals, like 3 Days of the Condor or All The President’s Men, where sporadic bursts of disturbing violence punctuate the building tension. It all leads to a phenomenally tense and precise action climax, that is both powerful and cathartic, making this little-known cinematic curiosity the crown jewel of its star’s career.
If for some reason you managed to miss Marjane Satrapi’s phenomenal biographical graphic novel about her youth in revolutionary Iran, now’s your chance to make up for lost time. Her irreverent art is beautifully brought to life in this animated adaptation, one of the most funny, touching and important films you will ever see.
One of the very best « blaxploitation » movies ever made is also a first-rate gritty cop drama, where the seedy New York of yesteryear is at its grimmiest, and two of most magnetic male stars of all time, Yaphet Kotto and Anthony Quinn, fight their way through mobsters and corrupt officials alike. You probably only know it for its wonderful theme song by Bobby Womack (reused in QT’s Jackie Brown), but the film itself deserves at least just as much attention and reverence.
Thank you fellow filmmaker Dan Stuyck for putting this one on our radar. International man of mystery Lemmy Caution (a very deadpan Eddie Constantine) jokes, slaps and murders his way through this incredibly convoluted tale of extortion, kidnapping, double and triple-crosses. What makes this one stand out is the surprising level of ruthlessness and some wonderfully self-aware one-liners. Seek this one out if you appreciate the finer things in life.
Love him or hate him, Terrence Malick’s style is immediately recognizable and has its own, unique power. It can falter when applied to the wrong topic, but work wonders when matched with a compelling story. Thankfully, such is the case in this heartbreaking true story of a German conscientious objector at the dawn of World War II. Stars August Diehl and Valerie Pachner surrender themselves completely, with staggering results, and at its best, the film achieves an etherial kind of beauty that is seldom experienced in any art form. A must-see!
American indie darling Steven Soderbergh made his best film when he adapted Elmore Leonard’s breezy novel. This smooth, sexy caper is always on the move, always feels alive and sparkles with fleshed-out characters, witty banter and committed performances. And if you like this one, you can also check out its sister film, Jackie Brown, with which it shares a universe, an author and a minor character.
This one is all down to execution. Genetically enhanced ants play havoc with two scientists’ experiment before moving to cruel mind games. The killer element here is the direction and macro photography by design legend Saul Bass: why, what, how? It doesn’t matter. What could have been silly or cheap is instead truly horrific and unique, and while we don’t say this often, we would love to see what a remake might look like, coming from someone with the right mix of talent and vision.